Morans painting dating 1905
Morans painting dating 1905 - Fucking sandra ramjee pussy
Drawing the viewer in with a limited palette, the enclosed vista, and the repeating pattern of rows of tree trunks with up-stretched limbs receding into the hazy distance, Rose creates a tranquil, thoughtful space rendered in loose, textured brushwork.This work is estimated to earn $300,000 - $500,000.
A scene of a charmingly ramshackle fishing village by George Pearse Ennis (1884 – 1936) presents a more tranquil, domesticated landscape, while displaying an equally deft use of color.
“Nocturne” was offered for ,000 to ,000, and earned ,000 thanks to competition between multiple absentee bidders (prices realized include Moran’s 20% Buyer’s Premium).
Jack Wilkinson Smith (1873-1949 Alhambra, CA) was represented in Moran’s catalogue with five works; one coastal composition featuring pink-tinged clouds above an expanse of crashing waves proved especially popular with buyers.
Attendees of Moran’s October 21st California Fine Art Auction were presented with a number of quality choices by top-tier artists.
One such work, San Diego-based Maurice Braun’s (1877-1941) “Nocturne”, was very well received by Moran’s buyers; the verdant impressionist composition depicts a pair of hilltop eucalyptus trees against a hazy rolling backdrop.
In-person attendance at the event was strong, and reserved telephone lines were at capacity for a number of the evening’s top lots; because of robust attendee participation, a relatively modest 12% of sales were achieved via online platforms.
Sales for top-tier California artists were strong, with two new auction records set for prominent 20th century women artists.
One of the more whimsical works on offer is a large ink-and-gouache-on-paper board composition by Theodor Geisel (1904 – 1991)(commonly known as Dr.
Seuss), titled ‘’Family Tree of the 7 Godivas’’, depicting the family tree of the fictional seven lady Godivas and the Brothers Peeping.
Mitchell (1888 – 1972), titled “Moonlight at Torrey Pines’’.
Mitchell’s feathery brushwork captures the quietude and stillness of the scene, while the moonlight reflecting off the glassy surface of the water gives the composition a meditative focal point.
The other oil by Rose, hailing from the same local private collection, is a contrastingly open scene, set in or near the coastal village of Wickford, Rhode Island, where the artist and his wife, Ethel, spent part of their time after their return from France in late 1912, and where Rose taught outdoor sketching classes in the summers of 19.